How James Cameron's Innovative New 3D Tech Created Avatar

Director James Cameron holding an antique stereoscope. (Photographed By Joe Pugliese, Sept. 19, 2009, at Fox Studios in Los Angeles, Calif.)

From Popular Mechanics:

Director James Cameron is known for his innovations in movie technology and ambitions to make CG look and feel real. His next film, Avatar, will put his reputation to the test. Can Cameron make blue, alien creature look real on the big screen? With all the attention focused on the film, anything short of perfection may not be good enough. Here is how Cameron plans to make movie history with a host of new technologies and years of development.

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Inside the New Harry Potter Movie's VFX Tech

From Popular Mechanics:

The sixth Harry Potter movie, Harry Potter and the Half Blood Prince, opens today. Recently, PM's Digital Hollywood spoke with the film's visual-effects supervisor, Tim Burke, and with Tim Alexander of Industrial Light & Magic, about some of the technical effects behind the new wizarding film.

Millennium Bridge
At the beginning of Harry Potter and the Half-Blood Prince—the first Potter film in two years, out today—things are looking pretty grim not just for the boy wizard, but for everyone. Gray storm clouds roll ominously over London as pedestrians, eyes on the sky, hurry across the city's Millennium Bridge. Suddenly, the bridge begins to quake. Cables snapping, the bridge undulates and twists, pulling free of its piers, and crashes violently into the Thames. Voldemort has recently returned from the dead, and he isn't satisfied to wreak havoc only in the wizarding world: His Death Eaters take his campaign of violent mayhem into the Muggle realm by destroying the Millennium Bridge in the film's dramatic opening sequence.

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How Old School Effects Brought Schwarzenegger's T-800 Back From 1983

From Popular Mechanics:

How the new Terminator Salvation movie used 25-year old props to recreate the T-800. Warning, spoilers ahead.

When Arnold Schwarzenegger's face appears onscreen in Terminator Salvation, it's precisely as it should be: wide, menacing and trapped in 1983. If the first three Terminator films were a flipbook portrait of an action star entering middle age, the fourth installment resets the iconic actor's cinematic clock with a climactic fight scene that blends the latest digital effects with a prosthetic prop that's been shelved for a quarter-century. The result is the resurrection of the killer robot that launched a franchise—and a feat of time travel that's worth the price of admission.

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